{"corpus":"steiner","locus":"GA 288/1920-04-05/p022","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"The next picture shows us the Greek personality as she lives under the initiation, a more feminine figure, since in fact the Greek initiation spoke more to the feminine. In general, in Greek high culture, the content of the initiation had to be gained by the initiate acquiring what female figures, who to a certain extent intervened in the flow that comes to man from the cosmos, what could be gained from such female figures: The Pythian priestesses in Greece are intimately connected with the whole structure of the Greek initiation. So that then such things appear as these heads, for example, which are worked purely from form.","text_trust":"verbatim","quote_safe":true,"title":"IV. The Symbolism of the Building at Dornach II","site_heading":null,"date":"1920-04-05","location":null,"word_count":108,"url":"https://anthroposophy.ai/v1/steiner/en/ga/288/1920-04-05/p022","alignment_confidence":"high","alignment_reason":"beads:identity","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Architecture, Sculpture and Painting of the First Goetheanum","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA288/English/SOL2024/19200405p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/288/1920-04-05/p022"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/288/1920-04-05/p022","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 288/1920-04-05/p022","passage_number":22,"text":"Das nächste Bild zeigt uns die griechische Persönlichkeit, wie sie unter der Initiation lebt, eine mehr weibliche Gestalt, da in der Tat die griechische Initiation mehr zum Weiblichen sprach. In der Regel musste ja gerade in der griechischen Hochkultur der Initiationsinhalt dadurch gewonnen werden, dass sich der Initiat dasjenige verschafft, was durch weibliche Gestalten, die sich gewissermaßen einschalteten in die Strömung, die aus dem Kosmos zum Menschen kommt, was aus solchen weiblichen Gestalten sich gewinnen ließ: Die Pythiagestalten in Griechenland hängen innig zusammen mit der ganzen Gestaltung der griechischen Initiation. Sodass dann solche Dinge zum Beispiel erscheinen wie diese Köpfe, die rein aus der Form gearbeitet sind.","text_trust":"verbatim","quote_safe":true,"word_count":107,"url":"https://anthroposophy.ai/v1/steiner/de/ga/288/1920-04-05/p022"}],"english":["GA 288/1920-04-05/p022"],"method":"identity","confidence":"high","correspondence":"established","length_check":{"de_words":107,"en_words":108,"ratio":1.01,"partial":false},"pairing_state":"verified","verified":true,"evidence":["length","meaning","audit"]},"witness_completeness":{"ratio":1.04,"band":"comparable","note":null,"word_count":6652,"original_word_count":6409,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Architecture, Sculpture and Painting of the First Goetheanum","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA288/English/SOL2024/19200405p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 288/1920-04-05/p022"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}