IV. The Symbolism of the Building at Dornach II

And so we come to the older Persian-Germanic initiation. This Persian-Germanic initiation is still effective in our time, but it has, as it were, something enclosed within it, the medieval initiation mentioned earlier, that is, the one characterized in the first figure. The medieval initiation is, as it were, shorter, and this one encompasses the whole long period. What matters in it is that the duality in the world - the bright, Luciferic, the dark, Ahrimanic - be seen through in its entire effect on the world. Here you have on the one hand the dark, Ahrimanic: the small head is in fact Ahriman, the other is his shadow, which he carries with him. On the other side: the Lucifer figure. You can see how this is developed in the sculptural group – you have all seen the group. So you can see how the contrast between the head of Ahriman and the head of Lucifer confronts you. And in the painting, one could also clearly express this mutual relationship between Ahriman and Lucifer.