IV. The Symbolism of the Building at Dornach II

Here you see that which is already there in a certain way as an initiation principle, but which will only have its task in the future: the way in which the secrets of the upper world can be received in Slavic countries today, a kind of Russian figure that has its own shadow beside it, as so often the Russian invisibly carries its own shadow with it, always has its shadow beside it. What is inspired from above, we will then see more clearly. A centaur figure, something that is already humanly shaped or already superhumanly shaped. There is no need to decide this question, but rather to think in terms of form. In between, as a counter-image, the angelic form. Just as we have Ahriman and Lucifer in the present culture, the Germanic-Persian one, so here, where we go a little further, we have the human form, stuck in the animal, and a superhuman form as its opposite.