8. The building idea of Dornach

The next picture (Fig. 20): Here you can see the floor plan. Here is the entrance; below that would be the room for storing clothes. Here are the stairs. You go up these stairs and come into the vestibule, which we will see in a moment. Now you enter the auditorium. Here is the space below the organ, which is slightly elevated, with the other musical instruments. Here are the rows of benches for about a thousand spectators, here on each side are seven columns. These seven columns are, as we shall see, only symmetrical in relation to the only axis of symmetry that the whole building has, and which runs from west to east. The whole building is symmetrical in relation to this west-east direction, so that the capital of the second and third column is not a geometric repetition of the first column, but the capitals are progressive, metamorphosing forms from the first to the seventh column, and only this column is symmetrical with this one, the second with the second here and so on, so only symmetrical in relation to the one axis of symmetry. The rest in the course of this axis of symmetry is perceived in organically progressive transformation.