VI. Teaching Eurythmy, Music, Drawing, and Language

GA 301/1920-04-28/p024 ·1920-04-28 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

I was quite startled as I found in some more recent pedagogical literature a statement that teaching drawing was negatively influenced by language class because instruction in language or speaking in general forces people into abstractions. People forget how to see and how to view what exists in the external world as forms and colors. That is what is asserted there. That is not the case if you give instruction in language not in an abstract way, but instead develop it out of an inner experience. Then they support one another and what develops as a consciousness of the self around the age of nine becomes visible, piece by piece, as it goes on to imbue an external view of things with an artistic feeling for form.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/301/1920-04-28/p024.json
Cite: GA 301/1920-04-28/p024 · edition English