VI. Teaching Eurythmy, Music, Drawing, and Language

GA 301/1920-04-28/p039 ·1920-04-28 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

What I mean here can be demonstrated through a simple picture. If you place a rose and a crystal on a table, you can say that both are objects. Equating a rose and a crystal through the concept of “object” is, however, only justified in an extremely superficial way. A rose is not simply an object alone, and you cannot consider it in the same way as you would a crystal, which is,in a certain way, something complete. (Of course, we should not forget that a crystal also needs to be considered in relationship to its normal surroundings.) Thus we need to seek the full context of symptoms in which we place a complex. We cannot simply take the most obvious things into account. The blossom of a tree, for example, cannot be simply considered as an object in itself. The tree must also be taken into account. Looking still further, we would need to take into account the qualities of the soil and of the air and so forth as well.

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Cite: GA 301/1920-04-28/p039 · edition English