X. Synthesis and Analysis in Human Nature and Education

GA 301/1920-05-05/p028 ·1920-05-05 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

The proper method of teaching singing or developing a musical ear assumes that children normally hear properly,and then a desire develops within the child to imitate so that the imitation adjusts to that hearing. Thus the best method is for the teacher to sing to the children with a certain kind of love and to adjust to what is missing in them musically. In that way, the natural need of the students to imitate and have their mistakes corrected is awakened though what they hear from the teacher. However, in singing, children need to learn what instinctively results from quieting the organs. In the same way, speaking serves to regulate the human breathing rhythm. In school we need to work so that the children learn how to bring their speech into a peaceful regularity. We need to require that the children speak syllable for syllable, that they speak slowly and that they properly form the syllables so that nothing of the word is left out. The children need to grow accustomed to proper speech and verse, to well-formed speech, and develop a feeling rather than a conscious understanding of the rise and fall of the tones in verses. We need to speak to the children in the proper way so that they learn to hear.

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Cite: GA 301/1920-05-05/p028 · edition English