Lecture Two
Let me give you an example. It is absolutely necessary for us to develop the appropriate feeling for the hostile, destructive forces in an airless space. The more graphically we show this—after the air has been pumped out—the more dramatically we can describe this terrible airless space, the more we shall achieve. In earlier times people referred to it as horror vacui. They experienced this horror streaming from it; their language contained it, and we must learn to discover this feeling again. We must learn to see a connection between an airless space and a thin, dried up person. Shakespeare indicated this in Julius Caesar:
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