II. The Three Fundamental Forces in Education

There are two levels in man on which this warding-off takes place. The defence is first in himself, finding visibility in the seventh year with the change of teeth. Then further, through what he has taken in of music and language, is warded off what is trying to rise up in him. Both battlefields are within man, the musical-lingual more towards the periphery, toward the outer world, the architectonic—formative more toward the inner man, toward the inner world. But there is a third battlefield as well, and that lies on the boundary between the etheric body and the outer world. The ether body is always larger than the physical body, reaching out beyond it on all sides. There we find another such battlefield. Here the battle is taking place more under the influence of the consciousness, whereas the other two are fought more in the unconscious. The third and more conscious battle manifests when everything that has been converted in the interplay between man and the formative-architectonic on the one hand, between man and the musical-lingual on the other hand, works itself out, when this lives itself into the etheric body and thereby takes hold of the astral body, thus to be displaced more toward the periphery or outer boundary. This is where that which pours through the fingers when we draw or paint, etc. has its origin. This is what makes the art of painting one that operates more in the environment of man. The man who draws or sculpts must work more out of an inner disposition, the musician more out of a devotion to the world. That which lives itself out in painting and drawing, for which we train the child when we have him draw forms or lines, that is a battle taking place wholly on the surface, a battle in essence between two forces, the one working inward from outside, the other working outward from within. The force working outward from within actually tends to dissipate a person constantly, it tends to prolong the formative activity in him, not strongly but in a delicate way. This force has the tendency (I must express this more drastically than it really is, but in this exaggeration you will see what I mean), this force working outward from within would make our eyes bulge, give us the goitre, make our nose puff out and our ears grow—everything would swell outward. But another force is present, one which we suck in from the outer world, by which this swelling is counteracted. And if we make no more than a line—draw something—this is a striving, using a force working in from the outer world, to counter the force from within that is trying to deform us. This is a complicated reflex motion we execute as men in painting, in drawing, in graphic activity. When we draw or set up a canvas before us, a feeling is actually glimmering in our consciousness: you are not letting something outside of you in, you are making thick walls—or barbed wire—out of your forms and strokes. In drawings we actually have such barbed wire, by which we constrain something that tends to destroy us from within, retarding its influence. For this reason our drawing classes will have their best effect, if our study of drawing begins with man. If you study the kinds of movement the hand tends to make, if you have a child in a eurythmy class contour these forms or movements that he wants to make of himself, then you have controlled the line that would work destructively and its effect is no longer destructive. If you begin by having the children draw eurythmic gestures and then let drawing and finally writing develop their forms from these, then you have something that man's nature really wills, something related to the being and becoming in human nature. This too we should know when we do eurythmy: there is always in the etheric body a tendency to do eurythmy. This is simply something the etheric body does of its own accord. Eurythmy is no more than a reading of all of its movements from what the etheric body wants to do; these are actually the movements it is making, and it is only inhibited when we cause these movements to be executed by the physical body. By allowing the physical body to execute them, these movements are checked in the etheric body, but react upon us again, this time with a health-giving effect.