IV. The Art of Education Consists of Bringing Into Balance the Physical and Spiritual Nature of the Developing Human Being

When in a child, who by virtue of his gift or through other circumstances may be receiving a special musical training, we notice that he becomes too dependent on his organism, that a certain heaviness becomes apparent in his singing, then we must try to guide him to practise more spontaneous listening and less his musical memory. We can always work for a balance: either help the child to suck in his ego more deeply through the measures I have characterized, or protect the ego from remaining outside too much if we haven't brought about the right balance. It is specially good when we try to regulate things through the way we teach a language. All the musical elements in a language contribute to the ego being sucked in. When I notice that this happens too strongly in a child, I will try to involve him in something which is more concerned with the meaning and the content of what is said. I will work with the child in such a way that I call upon him for the meaning of things. On the other hand, should I notice that the child is becoming fanciful, then I will rather make him take up recitation, rhythm and metre in the language. As a teacher one must acquire this as an art and develop a certain force in it.