XIV. Aesthetic Education

GA 303/1922-01-05/p064 ·1922-01-05 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Author: Rudolf Steiner
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Rudolf Steiner: For several reasons, it is my opinion that music will progress if what I call “intensive melody” gradually plays a more significant role. Intensive melody means getting used to the sound of even one note as a kind of melody. One becomes accustomed to a greater tone complexity of each sound. This will eventually happen. When this stage is reached, it leads to a certain modification of our scales, simply because the intervals become “filled” in a way that is different from what we are used to. They are filled more concretely, and this in itself leads to a greater appreciation of certain elements in what I like to call “archetypal music” (elements also inherent in Miss Schlesinger’s discoveries), and here important and meaningful features can be recognized. I believe that these will open a way to enriching our experience of music by overcoming limitations imposed by our more or less fortuitous scales and all that came with them. So I agree that by fostering this particular discovery we can advance the possibilities of progress in music.

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Cite: GA 303/1922-01-05/p064 · edition English