V. Educational Methods Based on Anthroposophy I

Each teacher is given complete freedom. We do not insist on a fixed pedagogical dogma but, instead, we introduce our teachers to the whole spirit of anthroposophical pedagogical principles and methods. For instance, if you were to enter a first grade class, you might see how one teacher has his or her pupils move their arms in the air to given rhythms. Eventually each pupil will then draw these on paper in the simplest form. Hence, out of the configuration of the physical organism—that is, out of the sphere of the children’s will—we elicit something that quite naturally assumes an artistic form and we gradually transform such patterns into the forms of letters. In this way, learning to write avoids all abstraction. Rather, writing arises in the same way as it originally entered human evolution. First, there was picture-writing, which was a direct result of outer reality. Then, gradually, this changed into our written symbols, which have become completely abstract. Thus, beginning with a pictorial element, we lead into the modern alphabet, which speaks to the intellect. Only after having first taught writing out of such artistic activities do we introduce reading. If teachers approach writing and reading in this way, working from an artistic realm and meeting the child with artistic intentions, they are able to appeal above all to a child’s forces of will. It is out of the will forces that, fundamentally speaking, all psychological and intellectual development must unfold. But, moving from writing to reading, a teacher is aware of moving from what is primarily a willing activity to one that has more of a feeling quality. The children’s thinking, for its part, can be trained by dealing with numbers in arithmetic.