VIII. Waldorf Pedagogy

Only when this process begins, has the right moment arrived for making the transition from an artistic approach to a more intellectual one. Only after the child has been allowed to experience artistic wealth is it possible to introduce the relative poverty of the intellectual element without the risk of disturbing the child’s physical and soul development. This is why we extract the intellectual from the artistic qualities. On the other hand, if one lets the children perform artistic movements, if one has them move their limbs musically, as in eurythmy (which is being performed here in Ilkley), if one encourages a sculptural, formative activity in the child, as well as musical movements that take hold of the entire body, then a remarkable hunger makes itself felt in the child—a spiritual, soulful, and bodily hunger. At this stage the child’s whole organization demands specific physical exercises, a specific physical hygiene, because a physical hygiene is healthy for the development of the human organism only when a mysterious kind of hunger is felt for the kinds of movements performed in gymnastics. In other words, the students’ feeling of a need for intellectual pursuit and for will activities arises from artistic development.