{"corpus":"steiner","locus":"GA 305/1922-08-24/p040","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"And the third thing that is brought out is character, a strong element of will. This can only be introduced into eurhythmy when the performer is able to experience his own movements as he makes them and express them strongly in himself. The way a performer holds his head as he does eurhythmy makes a great difference to his appearance. Whether, for instance, he keeps the muscles on the left of the head taut, and those on the right slack—as is expressed here by means of the third colour. (Showing figure) You see here the muscles on the left of the head are somewhat tense, those on the right relaxed. You will observe how the third colour always indicates this here. Here you see the left side is contracted, and down over the mouth here; here (in another figure) the forehead is contracted, the muscles of the forehead are contracted. This, you see, sets the tone of the whole inner character,—this that rays out from this slight contracting: for this slight contraction sends rays throughout the organism. Thus the art of eurhythmy is really composed of the movement, expressed in the fundamental colour; of the feeling nuance, expressed by the second colour, and of this element of will;—indeed the element of the whole art is will, but will is here emphasised in a special way.","text_trust":"verbatim","quote_safe":true,"title":"VIII. Boys and Girls at the Waldorf School","site_heading":null,"date":"1922-08-24","location":null,"word_count":225,"url":"https://anthroposophy.ai/v1/steiner/en/ga/305/1922-08-24/p040","alignment_confidence":"low","alignment_reason":"count_diverges","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Daphne Harwood","identified_edition":"APC1947","book_title":"Spiritual Ground of Education","publisher":"Anthroposophical Publishing Co.","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA305/English/APC1947/19220824p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/305/1922-08-24/p040"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/305/1922-08-24/p040"}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. 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The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"not_checkable","note":"No verified paragraph alignment covers this passage, so its names cannot be compared with the German."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}