VIII. Boys and Girls at the Waldorf School

A human being performing eurhythmy has no need to make a special face. That does not matter. Naturally, it goes without saying, a normal and sound eurhythmist would not make a disagreeable face when making a kindly movement, but this would be the same in speaking. No art of facial expression independent of eurhythmic expression is aimed at: For instance, a performer can make the A movement by turning the axels of his eyes outwards. That is allowable, that is eurhythmic. But it would not do if someone were to make special oeilades (“Kinkerlitchen,” we call them) as is done in miming; these oeilades, which are often in special demand in miming, would here be a grimace. In eurhythmy everything must be eurhythmic.