Lecture IV

If the letter forms have been gained through painting drawings and drawing paintings, and if one has gone on to a kind of phonetic or whole-word method—which is now appropriate because it leads the child to an appreciation of a wholeness, and prevents it from becoming too fixed in details—if all this has been done, there is still something else that has been overlooked in our materialistic climate. It is this: the single sound, by itself, the separate M or P, this also represents a reality. And it is important to see that, when a sound is part of a word, it has already entered the external world, already passed into the material and physical world. What we have in our soul are the sounds as such, and these depend largely on our soul nature. When we pronounce letters, such as the letter M, for example, we actually say “ em.” Ancient Greeks did not do this; they pronounced it “ mu.” In other words, they pronounced the auxiliary vowel after the consonant, whereas we put it before the consonant. In Middle Europe today, we make the sound of a letter by proceeding from the vowel to the consonant, but in ancient Greece only the reverse path was taken.[^2] This indicates the underlying soul condition of the people concerned.