Lecture II

Today I intend to discuss matters related to the vowel element in eurythmy. We need only to recall—as it is known to us through spiritual science—that vowels express more that which lives inwardly in man as feelings, emotions and so on. Consonants describe more that which is outwardly objective. When we remain within the realm of speech, these two statements are valid: vowels, more expression, revelation of the inwardness of feeling; we reveal ourselves to an extent in the vowel, that is to say, we reveal what we feel towards an object. Through the movements which the tongue, the lips and the palate perform, the consonants conform themselves more plastically to the outward forms of objects—as they are spiritually experienced, naturally—and attempt to reconstruct them. And so basically all consonants are more reproductions of the outward form-nature of things. However, one can actually only speak of vowels and consonants in this manner when one has an earlier stage of human evolution in mind in which in fact the evolution of speech was given and in which—since the individual sounds were always to a degree connected with movements of the body—the movement of the whole body and of the limbs as well was self-evident. This connection has been loosened, however, in the course of man's development. Speech was removed more to the interior and the possibilities of movement, of expression through movement, ceased. Today in normal life we speak largely without accompanying our speech with the corresponding movements. In eurythmy we bring back what attended the vowels and consonants as movements and thus bring the body into movement again. Now we must realize that when we pronounce vowels we omit the movement and make the vowel inward, that previously joined in the outward movement to an extent. We take something away from it on its path to the interior. We take the movement away. Thus we restore to the vowel in outer movement what we have taken away from it on its inward-going path. In the case of the vowel, matters are such that the outward movement is of exceptional importance in the search for the transferal of the effect of the vowel, eurythmically expressed, onto the whole man. That is what we must take into account here.