I. Natural Science and Its Boundaries

Greek art was, of course, bound up with experiences different from those usually connected with art to-day. Greek art was still felt to be an expression of the ideal to which Goethe was again aspiring when he spoke of the deepest urge within him in the words: He to whom Nature begins to unveil her manifest secrets, longs for her worthiest interpreter—art. The Greeks still regarded art as an initiation into the secrets of world-existence, as a manifestation not merely of human imagination but of what comes into being through interaction between this faculty and the revelations of the spiritual world received through Inspiration. But the spiritual life that still flowed through Greek art grew steadily weaker, until finally it became the content of the religious creeds of the West. Thus we must conceive the source of the primeval wisdom as a spiritual life of rich abundance which becomes impoverished as evolution proceeds, and when at last it reaches the Western world it provides the content of religious creeds. Therefore men who by then are fitted by nature for a different epoch can find in this weakened form of spiritual life only something to be viewed with scepticism. Fundamentally speaking, it is the reaction of the Western soul to the now decadent Eastern wisdom that gradually produces in the West the atheistic scepticism which is bound to become more and more widespread unless it is confronted by a different stream of spiritual life.