II. Haeckel's “Riddle of the Universe” and Theosophy

Tones and sounds, this music of the spheres, now become, for him, actual. Poets who were also seers have known of the existence of something approaching this music, and only those who can grasp Goethe's meaning from this point of view will be able to understand those passages, for instance, occurring in the “Prologue in Heaven” (see Faust, pt. I), which may be taken either as poetic phraseology or as a lofty truth. Where Faust is a second time introduced into the world of spirits, he speaks of these sounds: “Sounding loud to spirit-hearing, See the new-born Day appearing!” Faust, Part II.