The Goetheanum in Its Ten Years

When this eurythmic art appeared on the stage of the Goetheanum, one should have the feeling that the static forms of the interior design and the sculpture related to the moving human beings in a completely natural way. The former should, so to speak, accept the latter pleasantly. The building and the eurythmic movement should merge into a single whole. This impression could be heightened by accompanying the sequence of eurythmic creations with lighting effects that flooded the stage in harmonious radiance and sequence. What is attempted here is light eurythmy.