V. Human Character

One of the greatest German authorities on art, Winckelmann,[^5] was impelled by his whole disposition to err in interpreting the work of art known as the Laocoon.[^6] His interpretation has been widely admired. In many circles it has been thought that nothing better could be said about this portrayal of Laocoon, the Trojan priest who, with his two sons, was crushed to death by serpents. Winckelmann, filled with enthusiasm for this example of the sculptor's art, said that here we are shown how the priest, Laocoon, whose every limb bespeaks his nobility and greatness, is torn with anguish, above all the anguish of a father. He is placed between his two sons, with the serpents coiled round their bodies. Conscious of the pain inflicted on his sons, he himself, as a father, is so agonised by it that the lower part of his body is contracted, as though pressing out the full degree of pain. He forgets himself, consumed with immeasurable pity for his sons.