14. The Development of the German Soul

Thus it has come about that within this German national soul those motives that lie within the national soul character of the environment could be renewed and perfected. How we hardly see the environment that emerges in the German Siegfried. And how we see how that which has been brought into Germanism from the power of the folk soul, in a certain time, seizing everything as a folk soul, has found expression in the Siegfried saga. Then this soul recovers, makes an inhalation – in contrast to the exhalation in Siegfried – in order to make a new exhalation in the twelfth or thirteenth century, a new approach, and to bring forth from itself the character opposite to Siegfried, the Parzival character. And one need only compare these two characters, who really arose from the innermost being and weaving of the German folk soul, one need only compare these two polar opposites, Siegfried and Parzival, and one will see the breadth of the German folk soul and the possibilities for development that are expressed in the path that this development has taken, from Siegfried, whose already lost song was rediscovered and written down at the time when Wolfram von Eschenbach was writing his Parzival. Yes, the German national soul goes through what it can only go through over a long period of time because of its breadth. This is the significance of its development. This is what we can still recognize today as infinitely broad possibilities in the development of the German national soul, if we look at this German national soul in the right way. But what takes hold of it, takes hold of it with a certain strength because it takes hold of it comprehensively, because it takes hold of it with the harmony of all soul forces.