XXXI. The Mission of Truth

This Pandora also appears in Goethe as the wife of Epimetheus. But we see very clearly that Goethe takes what is an external action and elevates it into a spiritual world. We see the reflective soul of Epimetheus and see it connected with Pandora, that is to say, in this soul of Epimetheus lives that which is spread out in the world as wisdom, which is reflected upon as in a dream. The characterization of Epimetheus, who dreams wisdom, which is nothing other than Pandora herself when personified, is wonderful. He feels unsatisfied and weak, and then, in the further course of the drama, Goethe has Prometheus, the brother, confront Epimetheus. There Epimetheus raves about the [beloved, but also vanished, divine] Pandora, about the all-gifted Pandora. Goethe shows us that through this figure, worldly wisdom is illuminated to him, but worldly wisdom as it is grasped by man in reflection. What is this reflected truth like? It is abstract, uncreative, unproductive. Imagine that we could combine in our soul all knowledge about the entire world; but this knowledge would be unproductive if it were only reflected. Just as the wife of Epimetheus, just as Pandora, is endowed with the wisdom of the world but is unproductive. Prometheus, who has no sense for this Pandora, confronts Epimetheus; while Epimetheus raves about Pandora's magnificent hair, about how beautifully her foot moves – Prometheus says: Oh, I know how it is made. [I know how Pandora was made by Hephaestus, the blacksmith, and how she was brought to life by Zeus. He thinks only of the origin of the goddess, not of the beauty of what has come into being, what has been created, and so Pandora, who is otherwise unproductive, gives him the impetus for productivity. And this is what can come out of it as a reaction in him.] In Pandora's case, it is something mechanically put together, something that cannot be put into practice; something against which he asserts his saying: