{"corpus":"steiner","locus":"GA 70b/1916-01-14/p034","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"And yet, in context, one had to be with all of reality. Therefore, such window artworks, as they have existed in the past or still exist today, could not be created from the old art of windows, but rather a kind of window etching, if one may call it that, was used. Different glass panels, different colors, but each one in a single color. The figurative is now worked into this, and it is worked in in such a way that only thickening and thinning achieve what is artistically intended. And then the sunlight shining in will interact with this, that is, that which works and weaves in nature itself, to make art complete. There, nature and art will intertwine into a single work of art.","text_trust":"verbatim","quote_safe":true,"title":"8. The Harmony Between Spiritual Science and Natural Science and the Misconceptions about the Former and the Building Dedicated to it in Dornach","site_heading":null,"date":"1916-01-14","location":null,"word_count":126,"url":"https://anthroposophy.ai/v1/steiner/en/ga/70b/1916-01-14/p034","alignment_confidence":"high","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Ways to a Knowledge of the Eternal Forces of the Human Soul","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA070b/English/SOL2024/19160114p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/70b/1916-01-14/p034"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/70b/1916-01-14/p034","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. 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Daher konnten nicht solche Fensterkunstwerke, wie sie früher vielfach existiert haben oder heute eben noch existieren aus der alten Kunst heraus, als Fenster entstehen, sondern es wurde eine Art Fenster-Radierung, wenn man es so nennen darf, angewendet. Verschiedene Glastafeln, verschiedenfarbig, jede einzelne aber eben in einer Farbe. Dahinein wird nun gearbeitet das Figurale, und das wird so hineingearbeitet, dass nur Verdickung und Verdünnung bewirken, was künstlerisch erreicht werden soll. Und mit diesem wird dann Zusammenwirken das hereinscheinende Sonnenlicht, also das, was in der Natur wirkt und webt selber, um erst die Kunst vollständig zu machen. Da wird sich Natur und Kunst verschlingen zu einem gemeinsamen Kunstwerk.","text_trust":"verbatim","quote_safe":true,"word_count":116,"url":"https://anthroposophy.ai/v1/steiner/de/ga/70b/1916-01-14/p034"}],"english":["GA 70b/1916-01-14/p034"],"method":"length","confidence":"high","correspondence":"established","length_check":{"de_words":116,"en_words":126,"ratio":1.09,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":1.04,"band":"comparable","note":null,"word_count":11706,"original_word_count":11292,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"Steiner Online Library","identified_edition":"SOL2024","book_title":"Ways to a Knowledge of the Eternal Forces of the Human Soul","publisher":"Steiner Online Library","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA070b/English/SOL2024/19160114p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 70b/1916-01-14/p034"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. 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