10. The World View Of German Idealism. A Consideration Regarding Our Fateful Times

GA 70b/1916-02-19/p017 ·1916-02-19 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Today, we only want to emphasize the best qualities of the Italian people that come from their emotional soul [the German: Empfindungsseele, the sentient soul]; but it will be seen that the Italian people, insofar as they appear as a national soul – not as individual human beings, as I said – must have a certain one-sidedness because their expressions and revelations come from the emotional soul. Yes, if we take the greatest – I will refrain from the development of art, the actual visual arts, but they could very easily prove exactly what I have to say – if we take the greatest – Dante, Giordano Bruno – we learn, precisely when we immerse ourselves in them, that what they have achieved in a gloriously designed world view is created entirely from the sentient soul. One only has to read Giordano's work to see how he has become a great inspirer. When one delves into what he has brought, it is like an expression of feeling for the world view that man can create out of the abundance of the world's phenomena. Feeling lives in this one of the greatest [spirits of] Italians, in Giordano Bruno. I would just like to hint at this.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/70b/1916-02-19/p017.json
Cite: GA 70b/1916-02-19/p017 · edition English