I. Free Will, Immortality

GA 71b/1918-04-24/p011 ·1918-04-24 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
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Serious and well-intentioned scientists have constantly directed their particular way of thinking to what goes on within the human being himself, to what surges to and fro in his soul life. We can take an example to show how the scientist is bound to miss the way that would lead to a solution, not because of any mistake he makes, but because of his method. A good scientist, Waldstein, has published among his works, which are very good in parts and which deal with the border-area embracing the nervous system and the soul, a dissertation on the unconscious ego. He speaks about all sorts of things that go on in the human soul, and which are of significance to the soul but of which our ordinary consciousness is not aware. He says, for instance—and anyone can think of hundreds of thousands of similar examples—supposing I stand in front of a window of a bookshop and look into it. My eye falls on the most varied collection of books. It is a scientific bookshop. Nothing but serious books are there. Because of my profession I am attracted by one particular book that is in the window: Concerning Mollusks .—And the moment I see this book, Concerning Mollusks , I cannot help beginning to laugh quietly. Now I am, after all, a serious scientist and there is no apparent reason why I should begin to laugh when I see this book, Concerning Mollusks . What has caused me to laugh when looking at the title of a book about mollusks? I close my eyes—the scientist continues—in order to find out what has caused me to laugh. And, lo and behold!—now that my eyes are no longer drawn toward the book I can hear dimly in the distance amid many other noises and hardly audible, for it is a long way off, the sound of a barrel organ, and this barrel organ is playing the very tune to which I first learned to dance decades before as a very young man. At that time I attempted to learn the steps of the quadrille to this tune. I did not give much attention to the tune then, for I was very much occupied, first, in learning the steps and then in giving attention to my partner in the proper way. So even at that time I only noted the tune in a half-dreaming state. But now, although I have not concerned myself with this tune in any way more recently, the moment I see the book about mollusks, this tune strikes up in the distance, and I have to laugh quietly. Had I not closed my eyes—for when I looked at the book I knew nothing about a barrel organ playing, it simply beat on my ear unnoticed—I would not have discovered why I had to laugh when I saw the book. This shows me how remarkable are the things that go on inside us, that move and work in the subconscious, and how this subconscious nature pursues its ways in the human being.

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Cite: GA 71b/1918-04-24/p011 · edition English