XXI. Knowledge of the Higher Worlds II
GA 90b/1905-12-18/p021
·1905-12-18
·
English
HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: listeners' notes. Written from listeners' notes, summaries, or memory rather than a shorthand transcript. The wording is the note-taker's as much as Steiner's: weigh a single striking phrase here far more cautiously than the same phrase in a stenographic volume, and do not rest an argument on one word. Evidence: «Frühe Vortragsreihen und Einzelvorträge für Mitglieder in Berlin 1905–1906 nach ausführlichen und z.T. fragmentarischen Mitschriften.» (Early lecture series and single lectures for members in Berlin 1905-1906, from detailed and in part fragmentary listeners' transcripts.). The publisher's description of the volume, as mirrored on AnthroWiki (GA 90b); the description calls them "Hörermitschriften", and the served text carries the note-taker's gap marker "[Lücke in der Mitschrift]". The translation is the maintainer's, not a published one.
I would like to understand how it is structured in terms of a way of perceiving within the illumination. Take this flower, for example. It is yellow and has green leaves. Let's look at the colors first. These colors are spread over the surface of the object, so to speak. Think about the fact that you usually perceive color as appearing spread over the surface of the body. Try to consider how seldom it happens that you see colors separate from objects. At most, you have this with a rainbow. You can roughly imagine this when you see a sunbeam entering a dusty room. You have a rough sense of a color. Now imagine that the yellow is not attached to the object, but is free like flakes of color floating through space. Now imagine a room like this, filled in all directions with these color flakes and color formations, and you will have something approximating what you will see when you visualize the world of illumination in terms of colors.
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