Richard Wagner and Mysticism

GA 92/1907-12-02/p005 ·1907-12-02 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: listeners' notes. Written from listeners' notes, summaries, or memory rather than a shorthand transcript. The wording is the note-taker's as much as Steiner's: weigh a single striking phrase here far more cautiously than the same phrase in a stenographic volume, and do not rest an argument on one word. Evidence: «Sechzehn Vorträge, gehalten in Berlin, Köln und Nürnberg in den Jahren 1904, 1905 und 1907 (Hörernotizen)» (Sixteen lectures, given in Berlin, Cologne and Nuremberg in 1904, 1905 and 1907 (listeners' notes)). The volume's subtitle as given in the publisher's description, mirrored on AnthroWiki (GA 92); the 2022 catalogue's subtitle omits it. The translation is the maintainer's, not a published one.

And now let us see whether we can explain these words of Wagner in the light of the conviction that is characteristic of Mysticism. Again and again we find Mystics describing the nature and mode of their knowledge in definite terms. They say: In the act of knowledge, man uses his intellect when he endeavours to understand the laws of the natural and spiritual worlds. But there is a higher mode of knowledge.—Indeed, the true Mystic realises that this higher kind of knowledge is much more reliable than any intellectual judgment. Curiously enough it is invariably characterised by an image—which is, however, more than an image. Those who really know what they are talking about, speak of music. The ‘Music of the Spheres’ spoken of in the old Pythagorean Schools was no mere figure of speech, in spite of what superficial philosophy may say. The Music of the Spheres is a reality, for there is a region of the spiritual world in which its melodies and tones can be heard. We are surrounded by worlds of spirit, just as a blind man is surrounded by the world of colour which he does not see. But if a successful operation is performed upon his eyes, colour and light are revealed to him. It is possible for the faculty of spiritual sight to awaken in a man. When his higher senses open, the higher world will emerge out of the darkness. To the surrounding spiritual world that lies near us, we give the name of the astral world, or world of light, while a higher, purely spiritual world is designated as that of the ‘Music of the Spheres.’ It is a real world into which man can enter through a higher birth. Initiates speak openly of this world. We are reminded here of certain words of Goethe, albeit they are generally thought to be mere fantasy. Indeed our interpretation of these words will be put down as inartistic because of the current opinion that so far as intelligence and reason are concerned, a poet must necessarily be vague and indefinite. But a poet as great as Goethe does not use phrases; and if there were no deeper underlying truth, he would be using a phrase when he writes:

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Cite: GA 92/1907-12-02/p005 · edition English