Richard Wagner and Mysticism

Such, then, is the mystery of the Holy Grail. It must be approached with the greatest delicacy; we should try to get at the whole mood and feeling and let the ideas in their totality stand before our souls. Wherever we look we find that as an artist and as a human being, Richard Wagner's achievements were based upon Mysticism. So clear, so full of mystical feeling was his realisation of his mission that he said to himself: The art which is living in me as an ideal must at the same time be divine worship. He realised that the three streams (religion, science, art) converge into one another and he desired to be a representative of this re-union. Out of his insight was born that feeling which though mystical in essence is yet clear as daylight and which lived in all the great masters. It lived, too, in Goethe who wrote: “The man who overcomes himself breaks that power which binds all beings.” When this urge to give freedom to the Ego, to penetrate into world-mysteries pulsates through all a man's forces and faculties, then he is a Mystic—in every domain of life. No matter whether his activities in the outer world are connected with religion, science or art—he works through to the point of unification. Goethe was trying to express this mystery of man as a whole and complete being, when he clothed the secret of his own soul in the words: “He who has science and art has religion too. He who has not these twain, let him think he has religion!”