20. The Royal Art in a New Form

GA 93/1906-01-02/p024 ·1906-01-02 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
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Whoever wants to understand what Aristotle meant by purification, catharsis,[^11] must interpret the concept by means of the astral, by means of the secrets of the Mysteries. The expressions which he employs for tragedy [by way of explaining it] are a dim reflection of what the pupils learnt in the Mystery [schools]. Remember how Lessing investigated the soul forces of fear and compassion that are to be aroused through tragedy. That has furnished the material for many a great and learned discussion since the days of Lessing. [For the Mystery pupil] these emotions would be aroused in reality, when God was portrayed to him in his passage through the world. The passions present [deep] in the human soul were thereby straightforwardly stirred up and drawn out, just as one induces a fever and brings it to its culmination. This led to purification so as to be able to proceed to rebirth. All this appeared in shadow images in the ancient Greek tragedies. Just as with science, so has art, too, developed out of these ancient Mysteries.

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Cite: GA 93/1906-01-02/p024 · edition English