{"corpus":"steiner","locus":"GA 93/1906-01-02/p047","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"So you see that what man has mastered, what he is able to master, is, up to now, the realm of the inanimate. And everything which the human being has converted to harmony and order out of the inanimate world is the symbol of his Royal Art on earth. What he has implanted into the Mineral Kingdom with his Royal Art started as an outflow, an incarnation of Divine wisdom. Go back to the time of the ancient Chaldeans and Egyptians, when it was not only the intellect that was used in building, but when heightened perceptions permeated everything; the controlling of inorganic nature was then seen as the ‘Royal Art,’ which is why the control of nature was denoted as ‘Free masonry.’ At first this may seem to be fantasy, but it is more than that.","text_trust":"verbatim","quote_safe":true,"title":"20. The Royal Art in a New Form","site_heading":null,"date":"1906-01-02","location":null,"word_count":137,"url":"https://anthroposophy.ai/v1/steiner/en/ga/93/1906-01-02/p047","alignment_confidence":"high","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"John M. Wood","identified_edition":"RSP1985","book_title":"The Temple Legend","publisher":"Rudolf Steiner Press","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA093/English/RSP1985/19060102p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/93/1906-01-02/p047"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/93/1906-01-02/p047","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"paired_german":{"status":"paired","german":[{"locus":"GA 93/1906-01-02/p047","passage_number":47,"text":"So sehen Sie, daß das, was der Mensch meistert, worin er Meister sein kann, bis heute das Reich des Unlebendigen ist. Und alles, was der Mensch aus dem unlebendigen Reiche in Harmonie und Ordnung überführt, ist das Symbol seiner königlichen Kunst auf Erden. Was er mit dieser seiner königlichen Kunst in dieses Mineralreich hineinlegt, das ist der Ausfluß und die Inkarnation der göttlichen Weisheit zunächst gewesen. Gehen Sie zurück in die Zeit der alten Chaldäer, der alten Ägypter, wo man nicht bloß mit dem Verstande gebaut hat, sondern alles mit hohen Empfindungen durchdrang, da hat man die Bemeisterung der unorganischen Natur als «Königliche Kunst» empfunden. Und deshalb hat man diese Bemeisterung der Natur dann als «freie Maurerei» bezeichnet. Mag dies zunächst als Phantasie erscheinen, es ist aber mehr als das.","text_trust":"verbatim","quote_safe":true,"word_count":130,"url":"https://anthroposophy.ai/v1/steiner/de/ga/93/1906-01-02/p047"}],"english":["GA 93/1906-01-02/p047"],"method":"length","confidence":"high","correspondence":"established","length_check":{"de_words":130,"en_words":137,"ratio":1.05,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":1.23,"band":"comparable","note":null,"word_count":13461,"original_word_count":10911,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"John M. Wood","identified_edition":"RSP1985","book_title":"The Temple Legend","publisher":"Rudolf Steiner Press","publisher_inferred":true,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA093/English/RSP1985/19060102p01.html","evidence":"lecture_page_line","publisher_note":"The publisher is inferred from the edition code in this lecture's source URL, not stated by the source page. The translator IS verified for this lecture: its own source names the translator (evidence: the lecture's page, rsarchive's lecture list, or the cover of the book it was published in), and that page's text was matched against this unit (see match_score and source_url). Cite the translator with confidence; attribute the publisher only as probable."},"entity_parity":{"status":"ok","checked_against":["GA 93/1906-01-02/p047"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}