20. The Royal Art in a New Form

GA 93/1906-01-02/p052 ·1906-01-02 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Thus, the medieval thinker of the twelfth century looked back at the occult wisdom of the ancient Chaldeans, at Greek art and beauty, and at the strength in the concept of the state in the Roman Empire. These are the three great pillars of world history—wisdom, beauty and strength. Goethe portrayed them in his ‘Fairy Story’ as the Three Kings—occult wisdom in the Gold King, beauty as in Greece in the Silver King, and, in the Brass King, strength as it found its world historical expression in the Roman concept of the State, and as then adopted in the organisation of the Christian Church. And the Middle Ages; with its chaos[^18] resulting from the impact of the migrating nations, and with its mixed styles, is expressed in the misshapen Mixed King made of gold, silver and brass; what was kept separate in the various ancient cultures, is mixed together in him. Later, the separate forces must once more develop themselves out of this chaos, to a higher level.

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Cite: GA 93/1906-01-02/p052 · edition English