20. The Royal Art in a New Form

GA 93/1906-01-02/p123 ·1906-01-02 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
This passage is not Rudolf Steiner — the editor. This passage is an editor's footnote or endnote ([^n]: marker), NOT lecture text. Any Steiner words inside it are the editor's report of a variant or shorthand and must not be quoted as the lecture.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

[^14]: This sentence is not word for word as transcribed. The various texts are different. Text (a) omits from this sentence the words ‘great streams’ and has in their place ‘forces of male and female,’ and ends at the word ‘realms,’ omitting the rest. Seiler's fair copy has the same wording, but the shorthand version has a gap here. In Reebstein's text (d) we find the following: ‘The symbols are connected with questions running through the whole world, which meaning ... basic forces of male and female.’ The notes of Marie Steiner von Sivers give the following: ‘The two sexes are only an expression of the two great currents, which confront us as the Law of Polarity.’ The printed version has been revised by the editor to give a meaningful rendering.

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Cite: GA 93/1906-01-02/p123 · edition English