The Origin and Development of Eurythmy 1923–1925

GA 277d — 23 March 1924, Dornach

Eurythmy Performance

From 1924 onwards, there was occasionally a “traveling group” of eurythmists, while other eurythmists remained in Dornach and organized small performances there, sometimes with children and — as in the following program — the newly arrived “gentlemen.”

On Sunday, there will also be a eurythmic performance at five o'clock, first a performance by younger eurythmists, children, and young ladies. And then there will be a performance given by gentlemen, namely gentlemen from our guard, in the second part. —From the esoteric hour in Dornach, March 21, 1924

Staff exercises
Ball and spread
“Auf grüner Heide”
Tactics
Tone eurythmy exercise
“Das Häslein” by Christian Morgenstern
Tone eurythmy exercise
“Liederseelen” by C. F. Meyer
Scherzo by Carl Reinecke
Musette by J. S. Bach
Largo by G. F. Handel
“Treue Leben ewig” by Albert Steffen
“Für meine Mutter” by Albert Steffen
Allegretto by W. A. Mozart
“Am Turme” by Annette von Droste-Hülshoff
Gavotte by Arcangelo Corelli
“Lied vom Winde” by Eduard Mörike
Minuet by G. F. Handel
“Lüfteleben” by Friedrich Rückert
Aria by J. S. Bach
“Der Morgen” by Annette von Droste-Hülshoff
“Waldszenen” by Robert Schumann
‘Brüder’ by Christian Morgenstern
“Friede auf Erden” by C. F. Meyer
“Prooemion” by J. W. v. Goethe
“Erleuchtung” by Friedrich Hebbel
‘Spiel’ by C. F. Meyer
“Hussens Kerker” by C. F. Meyer
Prelude “Schicksalsfrage” with music by Leopold van der Pals
“Die Krypte” by C. F. Meyer
Adagio by L. v. Beethoven
‘Gefunden’ by J. W. v. Goethe
“Mailied” by J. W. v. Goethe