9. The Artistic Composition of the Gospel of St. John

Let us imagine that in ancient times we had been asked to attend a wedding, and that the customary drink—in this case, wine—had given out. What would have happened? Provided the right relations existed among the blood-related members of this wedding party, it would have been possible, through the magical power of love arising out of consanguinity, for the water—or whatever was offered later in place of wine—to be sensed as wine as a result of the psychic influence of the people present. Wine is what they would have been drinking if the right magical influence had been exerted by the one person on the rest. Do not tell me this wine would still have been but water! A sensible person would reply to that: For the human being, things are of the nature in which they communicate themselves to his organism: they are what they become for him, not what they look like. I believe that even today many a wine lover would like water if, by means of some influence or other, it appeared to be changed into wine; that is, if it tasted like wine and produced the same effect in his organism. Nothing else is necessary than that a man should take water for wine.—What, then, was required in olden times to render possible such a sign as that of the water in the vessels becoming wine when it was drunk? The magical power deriving from blood relationship, that is what was required. And furthermore, those assembled at the Marriage in Cana of Galilee possessed the psychic capacity for sensing that sort of thing. Only, a transition had to be brought about.