9. The Artistic Composition of the Gospel of St. John

GA 112/1909-07-02/p036 ·1909-07-02 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

We must understand that the jars must obviously have been empty, because a special significance attached to the filling of them. “Whatsoever he saith unto you, do it,” the mother had told the servants. What sort of water did Christ need? He needed water fresh from the sources of nature; and that is why it was necessary to specify that the water had just been drawn. The only water suitable for Christ's purpose was such as had not yet lost the inner forces that are inherent in any element so long as it is united with nature. As has been said, the John Gospel contains not one word that is not fraught with deep meaning. Freshly drawn water had to be used because Christ is the Being Who had but recently approached the earth and become associated with the forces that work in the earth itself. Now, when the living forces of the water work, in turn, with “that which flows from me unto thee”, it becomes possible for the event described in the Gospel to take place. The governor of the feast is called, and he is under the impression that something unusual has occurred. He does not know what this was—it is specifically stated that he had not seen what happened—only the servants had seen it; but under the influence of what has taken place he now takes the water for wine. That is stated clearly and distinctly, so we know that through psychic force even an outer element—that is, the physical component of the human body—was affected.

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Cite: GA 112/1909-07-02/p036 · edition English