VI. The Son of God and the Son of Man. The Sacrifice of Orpheus

Let us now consider what it is that civilisation gives to men, what they have to learn in order to make progress. Every individual has at his disposal what is yielded by his own epoch, but also, to a certain extent, the fruits of earlier epochs. Now it is only what derives from the lowest Hierarchies up to and including the Time-Spirits that can be preserved as history and be taught and studied as such. What streams directly from the kingdoms of nature cannot be preserved in tradition. Nevertheless, men whose powers of knowledge enable them to penetrate into the supersensible worlds can pass beyond the Time-Spirits to still higher forms of revelation. Such revelations are recognised as belonging to a realm higher than that of the Time-Spirits, as having greater weight than anything deriving from the Time-Spirits, and as affecting men in a very special way. Every rational human being should ask himself now and then whether his soul is affected more profoundly by what can be learnt from the traditions of the several peoples and Time-Spirits of historical epochs, or by a glorious sunrise, which is a direct manifestation of nature and of the supersensible worlds. Individuals may well become conscious that a sunrise in all its glory can stir the soul infinitely more deeply than all the science, the learning and the art of the ages. Suppose we have been deeply moved by the works in the Italian Galleries of Michelangelo, Leonardo da Vinci, Raphael and others, and later on climb some Swiss mountain and contemplate the spectacle there presented, we shall be vividly conscious of what nature can reveal. We shall ask: Who is the greater artist: Raphael, Leonardo da Vinci, or the Powers who have painted the sunrise to be seen from the Rigi?—And the answer can only be that wonderful as are the achievements of men, what comes before us as a revelation of divine-spiritual Powers is far greater.