VI. The Son of God and the Son of Man. The Sacrifice of Orpheus

GA 124/1911-01-16/p034 ·1911-01-16 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
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If a man of the modern age were to encounter a figure such as Orpheus, he would simply say: he is the son of such-and-such a father and such-and-such a mother—and science might possibly look for inherited characteristics. There is, for example, a bulky tome in which all the hereditary characteristics of Goethe's families are set forth in an endeavour to present him as the sum-total of those characteristics. That is by no means how people thought in the days of Orpheus. The man of flesh and his physical attributes were not what really mattered to them. The essential qualities were those that enabled Orpheus to be the leader and organiser of pre-Christian Greek culture—certainly not the physical brain or nervous system. The essential thing was the fact that he had within him—in his own field of experience—a quality derived from the supersensible world and united with the material-physical element provided by his personality. The eyes of the Greeks were directed, not to the physical figure of Orpheus descending from father and mother, perhaps also from grandfather and grandmother; this figure was more or less unessential, being merely the outer expression, the sheath. The essential element was what had descended from a supersensible source and had united with a material entity on the physical plane. Hence a Greek would have said to himself: When Orpheus is before me, the fact that he descends from a father and a mother need hardly be taken into account; what is of importance is that his soul-qualities, which have made him what he is, stem from the supersensible, from a supersensible reality which has never hitherto had anything to do with the physical plane; a physical-material element has here been able to unite with the supersensible reality in his personality.—And because the Greeks regarded a purely supersensible quality as the hallmark of Orpheus, they said he was the offspring of a Muse, the son of Calliope, not of a physical mother but of a supersensible reality which had never had any previous connection with the physical and material.

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Cite: GA 124/1911-01-16/p034 · edition English