8. Christmas: A Festival of Inspiration

GA 127/1911-12-21/p008 ·1911-12-21 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Why then was the Divine Child placed before humanity for hundreds and thousands of years as the highest there was for the human soul to revere? For the reason that when man looks at a child and sees the child not yet able to say ‘I’ to himself, he can know that the child is still working on the human body, the Temple of the Eternally Divine, and because the human child who cannot yet say ‘I’ nevertheless clearly shows the sign of his origin from the spiritual world. Through this contemplation of the child nature man learns to have full trust in human nature. Here, where he can most easily foregather, when the sun shines least and warms the earth least, when he is not busied with the ordering of his outer affairs, here, when the days are shortest and the nights longest, when the earth gives him the best opportunity to foregather and to enter into himself, when all outer brightness, all outer beauty withdraws for a while from the outward view—here, the Western civilisation places the Birth-Festival of the Divine Child, that is, of the Human Being who enters the world pure and unsullied—and through the innocent entrance into the world can give to man at the time of his closest assembling with others, the strongest, the highest confidence through the knowledge of his divine origin.

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Cite: GA 127/1911-12-21/p008 · edition English