5. The Idea of Reincarnation and its Introduction into Western Culture. The Heralding of Christianity.

I said that the paintings of Raphael are like chants of jubilation at the might of Christianity. Raphael naturally keeps to the accepted events and facts, but out of his feelings he is able to portray them with a unique power. As our eyes wander over his paintings we realise with what majesty and sublimity he portrayed the forces of Christianity, and ask ourselves: What is it that Raphael did not paint? He painted no scene on the Mount of Olives, no Crucifixion. True, he painted a “Bearing of the Cross,” but it was a very poor picture and gives the impression of having been done to order. Neither did he paint any of the scenes leading directly to the Crucifixion. His creative genius begins to reveal itself again only when he portrays the figure of the great successor of John—the figure of Paul in “The School of Athens”; or when, passing over the other events in the life of Christ, he paints “The Transfiguration.” What Raphael has not painted helps us to understand that it was alien to him to portray those events on Earth (not events in the spiritual world) which took place after he was beheaded in his previous life. We realise why it was that Raphael painted fewer pictures of these particular events. When we look at the pictures, we feel that all those which portray events subsequent to the Beheading of John the Baptist, are not, like the others, born of earlier remembrances.