Lecture I

GA 140/1913-10-10/p018 ·1913-10-10 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
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Here I may perhaps tell you incidentally something of a being, a deceased human soul with whom, because it knew much, I have been able to make investigations in the spiritual world concerning the great painter Leonardo da Vinci, and especially as regards his celebrated picture of the Last Supper in Milan. When one investigates a spiritual fact in cooperation with such a soul as this, it can point to many a fact that one might not discern simply by clairvoyant vision into the Akashic Records. The human soul in the spiritual world can indicate these, but can only do so to an investigator who has understanding of the things it wishes to point out. Suppose, together with such a soul, one investigates the way in which Leonardo painted the world-renowned “Last Supper!” What remains of that picture today is hardly more than a few specks of colour, but in the Akashic Records one can watch Leonardo at work and can perceive, although it is none too easy, what the picture was then like. If one is able thus to investigate, in company with a soul not in incarnation but who has a connection with Leonardo da Vinci and studies his paintings, one observes that this soul points out this or that. For instance, it may make one realise the actual faces of Christ and Judas on the canvas. Yet one becomes aware that the soul could not do this unless, at the time of showing, there was the necessary understanding on the part of the living investigator. This is a sine qua non. The discarnate soul itself only learns to understand what till now it could only perceive, during the time the living soul is being willingly taught. Thus a soul with whom one has had such an experience—which can only be experienced in the above-mentioned way—says to one, symbolically speaking of course: “You have brought me here to this picture. Because you yourself felt the need of investigating the picture, I on my part felt the impulse to look at it with you!” After that follow various experiences, but the time comes when the soul either vanishes or says: “Now I must go.” In the case to which I am referring the dead soul said: “Up to now the soul of Leonardo da Vinci was quite willing to have the picture seen, but it does not now wish the investigation carried farther.”

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Cite: GA 140/1913-10-10/p018 · edition English