Lecture I

We will begin with ‘Night’, the most famous of the four. In guide-books you can read that the postures of the limbs in the recumbent figure of ‘Night’ are unnatural, that no human being could sleep in that position and therefore the figure cannot be a good symbolic presentation of ‘Night’. But now let me say something else. Suppose we are looking at the allegorical figure of ‘Night’ with occult vision. We can then say to ourselves: when a human being is asleep, his Ego and astral body have left the physical and etheric bodies. It is conceivable that someone might visualise a particular posture which most accurately portrays that of the etheric body when the astral body and Ego have left. As we go about during the day our gestures and movements are conditioned by the fact that the astral body and Ego are within the physical and etheric bodies. But at night the astral body and Ego are outside and the etheric body alone is in the physical body. The etheric body then unfolds its own activity and mobility, and thus adopts a certain posture. The impression may well be that there is no more fitting portrayal of the free activity of the etheric body than that achieved by Michelangelo in this figure of ‘Night’. In point of fact, the movement is conveyed with such precision that no more appropriate presentation of the etheric body under such circumstances can be imagined.