Lecture I

Now let us turn to the figure of ‘Day’. Suppose we could induce in a human being a condition in which his astral and etheric bodies were as quiescent as possible and the Ego especially active. No posture could be more fitting for the activity of the Ego than that portrayed by Michelangelo in the figure of ‘Day’. The postures are not allegorical but drawn directly and realistically from life. The artist has succeeded in capturing as it were for earthly eternity the postures which in the evolutionary process most aptly express the activity of the Ego and the activity of the etheric body.