III. Towards a Synthesis of World Views: A Fourfold Mission

And how did these things speak to people? Yes, they spoke most peculiarly. You know that one of Raphael's most magnificent works is in Dresden: the Sistine Madonna. People who think superficially might think that this is a work of art that was paraded through Germany like a victor. It made no impression on Goethe at all because he had heard how people generally thought about this work. As a young man, Goethe was not yet as sure in his judgment as he was in his old age and was still receptive to what people said. What did the museum officials in Dresden tell him? Well, that the child was ugly in its entirety, that the Madonna had been painted over by an amateur, that the little putti below had been added by some kind of handyman. That was still the attitude towards the Sistine Madonna when Goethe came to Dresden as a young man. But let us see how it is now. Let us consider what Raphael actually has become for people! Raphael worked in Rome at a time when there was much dispute about religious dogmas. The way in which Raphael paints the Christian mysteries is interdenominational. If we take the later great Italian painters, we see the religious mysteries painted in such a way that we recognize: this is the Christianity of the Latin race. Raphael paints in such a way that we are dealing with universal renderings of Christian mysteries that transcend nations. That is why we see how, in a short time, the Sistine Madonna finds its way into the souls even in Protestant areas. And if anthroposophy is to work for the understanding of the Christian mysteries, it will find its way best into those souls in which the feelings live that are won by images like the Sistine Madonna, into those souls that are prepared in this way. And when we say today that Christianity is only at the beginning of its development, that it will only receive its true form through the spiritual key that anthroposophy is able to give, then we know that Raphael stands as a herald for this Christianity.