Lecture II

The more deeply we penetrate into the occult records of the various ages and peoples, that is to say, into the truly occult records, the more we are struck by one feature of them which meets us again and again. I have already indicated it in discussing the Gospel of St. John, and again on a later occasion in speaking of the Gospel of St. Mark. I refer to the fact that on looking deeply into any such occult record it becomes ever clearer that it is really most wonderfully composed, that it forms an artistic whole. I could show, for instance, how St. John's Gospel, when we penetrate into its depths, reveals a wonderful, artistic composition. With remarkable dramatic power the story is carried up stage by stage to a great climax, and then continues from this point onward with a kind of renewal of dramatic power to the end. You can study this in the lectures I gave at Cassel on St. John's Gospel in relation to the three other Gospels, especially to that according to St. Luke.