Lecture II

Now it is remarkable that the same thing meets us again in the Bhagavad Gita. There is a wonderful intensification of the narrative, one might say, a hidden artistic beauty in the song, so that if nothing else were to touch the soul of one studying this sublime Gita, he still could not help being impressed by its marvelous composition. Let us begin by indicating a few of the outstanding points—and we will confine ourselves today to the first four discourses—because these points are important both for the artistic structure and the deep occult truths that it contains.