4. The Human Organism Through the Incarnations

GA 169/1916-06-27/p020 ·1916-06-27 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
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However, what will a physician say, especially one who is not a spiritual scientist, when he sees such a figure created by an artist? He will say, “This is a representation of a person suffering from consumption.” For indeed people who suffer from consumption also have a more strongly consuming and depleting astral body—due to their karma in an earlier incarnation—than do other people. Now, Botticelli has painted a most beautiful and wonderful Venus, which most of you will know.[^1] In this picture of Venus standing on a shell, we see a physical body painted in such a way that we cannot help thinking it is based on a depleting astral body. That is why art historians disagree about this painting. Some of them admire the figure of this Venus precisely for its deviation from the so-called normal human form; they admire her slender neck and the unusual shape of her upper chest, and so forth. Others say these features are the result of Botticelli having painted a model who suffered from consumption.

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Cite: GA 169/1916-06-27/p020 · edition English