4. The Human Organism Through the Incarnations

GA 169/1916-06-27/p021 ·1916-06-27 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Well, it is certainly possible to explain everything in a materialistic way. Probably Botticelli really did paint a consumptive model, namely, Simonetta, who died at the age of twenty-three. But that is not the point. What is important is that he knew he wanted precisely this woman to sit for his Venus, a woman who made it possible for him to paint a person whose physical body was being depleted by the astral body more quickly than is usually the case. I will pass around this reproduction of the painting although it is not good, but I don't have a better one at the moment. In this picture, you will see it is really clearly noticeable that we are dealing here with an astral body of a different constitution, namely, with an astral body depleting the physical body by means of the etheric body. You see, spiritual science can guide us and show us the way to an understanding of such things.

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Cite: GA 169/1916-06-27/p021 · edition English