Lecture XXII

GA 173c/1917-01-21/p037 ·1917-01-21 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: stenogram (shorthand transcript). Shorthand transcript taken during the lecture — the strongest kind of lecture record in this corpus. Evidence: «Diese dreibändige Ausgabe wurde auf der Grundlage der stenografischen Nachschriften vollständig neu bearbeitet.» (This three-volume edition was completely re-edited on the basis of the shorthand transcripts.). The publisher's description of GA 173a-c, as mirrored on AnthroWiki (GA 173a-c). The translation is the maintainer's, not a published one.

There is another phenomenon today of which it is most important to become aware. There exist today many concepts and ideas which have to be very definite if they are to be of any use. Modern, more mercantile, life demands clearly defined concepts based on calculations. Science has become accustomed to this, but so has art. Think of the development art has undergone in this connection! It is not so long ago that art was concerned with great ideals on a wide scale, when, thank goodness, concepts were insufficient for an easy interpretation of great works which were full of meaning. This is no longer the case to the same extent. Today, art strives for naturalism, and concepts can easily encompass works of art because now they have often arisen merely from concepts instead of from an elemental, all-embracing world of feeling. Mankind is today filled to the brim with commonplace, naturalistic concepts which are determined by the fact that they have been conceived entirely in relation to the physical plane where it is in the nature of things to be sharply defined and individualized.

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Cite: GA 173c/1917-01-21/p037 · edition English