Fourth Lecture
When a person passes through the gate of death, it is indeed, I would say, close to our soul to experience how he, after leaving his physical body on the scene of earthly existence, then ascends into the spiritual worlds, so to speak, leaving these physical worlds. If we have gained convictions in spiritual science, then we perceive the passing through of the gate of death in a human being as a leaving of the physical world. If now the spiritual scientific view is directed to the experience of death, that is, to the passing through of a human being through the gate of death, then to this spiritual scientific view the matter presents itself somewhat differently. What comes into consideration is mainly what the so-called dead person experiences himself, how he feels and experiences passing through the gate of death in his innermost being, and how it then unfolds for him between death and a new birth. And here it must be said that what passes through the gate of death is, as we know, first of all the etheric body with the astral body and the ego. Now, however, the dead person, by entering the spiritual world in this triad of his being, first feels the scene of the physical world and, standing on it, those people with whom he felt connected in life, and also everything else to which he felt connected, actually as if it were all leaving him, as if it were moving away from him, so to speak. And then the one who has passed through the gate of death and is settling into the etheric world with his etheric body, becomes one with this etheric world. And we also already know this: a kind of overview of the experience on earth in the last incarnation occurs before his eyes. This experience can really be compared to a kind of universal 'dream experience'. Life goes on for days in surging, weaving images that are meaningful and full of meaning. One feels like saying that this panorama of life enlarges as the dead person feels: 'This is what you see, your life unwinds, flows away.' And beyond this flowing life, the scene on which you were standing leaves you.
Cite:
GA 174a/1915-11-29/p004 · edition English